Author Archives: Dianne Weller

About Dianne Weller

Director/TheatreMaker/Performer/VoiceOver Artist I studied Acting and Singing in Australia the UK and have worked in both these countries and Europe for over the past 20 years. This blog will give you a little insight into how I work...

SoundLab #5 Performing your Field Recordings Day 2

Lecture by Ruben Nachtergaele on his work practices followed by an introduction of 2 new participants on Day 2 and their work. A discussion and listening round occurred regarding their material and its possible avenues for performativity. After lunch we … Continue reading

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SoundLab #5 Performing your Field Recordings Day 1

Lecture by Peter Cusack on his work practices followed by a ‘tour de table’ of the participants. Works were shared amongst those present before the break. Some ideas were given on how to present those pieces in a performative way, … Continue reading

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Soundlab #5 Performing your Field Recordings

In this Soundlab we will investigate and fine tune how to take recordings to a live audience. What makes a recordist a good performer? Where do personal and artistic ambition play? How do you communicate with an audience? As a … Continue reading

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SoundLab #4 Sonic Gardening

For information on this Lab go to the Curator’s page: Alessandra Coppola here on the site

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SoundLab #3 Fantasy Workshop Results

Here are some of the information from Ant Hampton from the 3 day workshop he held during Lab#3 in Brussels in May 2012. Here is a link to the google Map with all the locations of the individual Fantasy inventions: … Continue reading

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SoundLab #3 Starts today..

What a great beginning of #3 with a Walk and discovery led by Roel Heremans and Talk by Julie Pfleiderer & Noid. Here is the list of the weeks activities below for your information of where to go and what … Continue reading

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SoundLab #3 2012

SoundLab #3 – Seeing Sound – curated by Caroline Daish and Julie Pfleiderer, is 10 days investigating the border between Sound and Performance. Where do they meet? Where do the two artistic communities meet? Who manages to cross or move … Continue reading

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